This young girl from Osaka is a fury. Armed with just two samplers, her voice tears a contradictory gash across the surrounding sound fabric, creating immediate and confusing sensations.
She ties her hair in the shape of a palm tree and blackens her face, playing with an image that reflects both a harpy and a sweet young thing. DODDODO unveils a hidden side to femininity, not fragile beauty but the regenerative force of a woman-child out to discover the world. Onstage, she clambers wildly over a table and chair in a disquieting show where the simple act of standing takes on significance.
Author: Frank Stofer
