Interview

Zy 48: An Cafe

18/09/2009 2009-09-18 08:59:00 KoME Author: Zy Translator: Kizuna

Zy 48: An Cafe

Happy toy box!!


© © 2009 Zy.connection Inc. All Rights Reserved.
An Cafe akan merilis album baru mereka yang sangat ditunggu-tunggu BB PARALLEL WORLD pada tanggal 9 September. Album ini akan mempertahankan kesan pop tradisional mereka dan berisikan sebelas lagu yang mencakup berbagai macam tipe (bahkan lebih banyak dari sebelumnya). Lebih lanjut, edisi terbatas pertama akan memasukkan empat video musik, di mana salah satunya adalah single terbaru mereka NATSU KOI ★ NATSU GAME. Kami akan memberikan cerita lengkap mereka kepada kalian melalui wawancara dengan semua members yang akan memberikan komentar mereka terhadap setiap lagu.


Karya ini, BB PARALLEL WORLD, merupakan sebuah album yang sangat berwarna. Ketika kalian mulai memproduksinya, apakah kalian memiliki konsep untuk album ini?

Miku: Kali ini kami tidak memikirkan musik dansa akan menjadi hal utama, tetapi kami ingin membuat berbagai macam karya besar. Jadi kami menyeleksi lagu-lagu dan memasukkan warna yang berbeda ke dalamnya. Kami memiliki pertemuan yang lebih banyak dari biasanya untuk menyeleksi lagu-lagu, dan memiliki hampir tiga puluh lagu untuk dipilih, sehingga lagu-lagu yang dimasukkan ke dalam album ini sudah diseleksi dari sekian banyak lagu.

Apakah ada perubahan yang terjadi selama proses produksi?

Teruki: Biasanya kami bekerja dengan menggunakan alat manipulasi hanya untuk single kami saja, namun untuk kali ini alat ini digunakan untuk semua lagu pada album ini. Kualitas dari lagu dan suasana perekaman sangat berbeda. Kami memiliki pengalaman yang sangat bagus.

Apakah yang kalian pikirkan dan lakukan ketika kalian membuat album ini?

Miku: Kami sudah merilis banyak album sebelumnya, jadi saya berpikir kalau saya ingin membuat karya terbaik sampai sejauh ini.

Apa kuncinya?

Miku: Saya pikir kuncinya ada pada lagu. Single-single kami biasanya dipilih dari dance rock, namun untuk kali ini kami menyeleksi lagu-lagu dari berbagai macam sudut pandang.

Benar sekali, mereka adalah lagu-lagu yang benar-benar sangat membunuh

Teruki: Untuk permainan drum saya, saya sedikit berpikir mengenai kekasaran bunyi dan perasaan mendasar dari visual kei era Indies dalam kepala saya, dan memukul drum saya dengan ide itu dalam pikiran.

Apakah kamu juga berlatih sebelum kamu memulai proses perekaman kali ini?

Teruki: Kali ini kami tidak dapat berlatih lebih banyak karena kami tidak memiliki waktu. Ini semua adalah lagu-lagu yang kami rekam satu hari setelah produksi. Secara dasar saat saya sedang menghafal lagu, saya juga sekaligus sedang mengatur dan memainkannya (tertawa) Saya tahu sangatlah penting untuk berlatih untuk perekaman, namun ini adalah perekaman yang bagus. Kami belajar bagaimana mengadaptasi berbagai hal.

kanon: Saya ingin bekerja pada pengaturan untuk kali ini. Memulai tahun ini, ketika saya berpikir mengenai bagian, saya sedang menggunakan komputer pribadi saya. Biasanya saat saya memegang sebuah bass, preferensi saya akan muncul secara alami dalam musik, namun ketika saya benar-benar melihat nada, sangatlah bagus untuk dapat mengganti beberapa hal seperti “Saya dapat ke sana juga.” Jadi berpikir mengenai bagian menjadi lebih mengasyikkan daripada sebelumnya.

Namun ketika kamu memainkannya, apakah tidak susah?

kanon: Benar untuk beberapa kali. (tertawa) Namun hal ini seperti saat saya mulai bermain bass. Ini sangat menyenangkan, saya meniru apa yang dimasukkan ke dalam komputer dan memeriksa nilai saya setelahnya, seperti saat saya menjadi seorang murid.

takuya: Kali ini saya bermain gitar dari sudut pandang objektif seorang kreator, tidak hanya sebagai seorang gitaris semata.

Maksud kamu adalah kamu juga berpikir mengenai instrument lainnya?

takuya: Ya. Jika saya hanya berpikir mengenai gitar saja, saya akan menambah lebih banyak bunyi gitar, jadi saya mencoba untuk mencocokkan dengan yang lainnya, atau saya memainkan dengan keras bagian saat gitar saya memang seharusunya mencolok. Dapat melakukan hal ini, saya dapat melihat hal-hal baru mengenai diri saya, begitu juga dengan sudut pandang yang berbeda.

Bagaimana dengan Yu-ki?

Teruki: Saya berpikir untuk kali ini Yu-ki bekerja paling keras pada bagian chorus, benar?

Yu-ki: Ah, bagian chorus sangat menyenangkan.

Ngomong-ngomong, saya dengar dia membuat kesalahan paling kecil di antara para members yang bermain instrument…

Teruki: Kami tidak tahu apakah lagu-lagu ini akan dimasukkan dalam versi terakhir, namun Yu-ki dapat merekam banyak lagu sendirian.

kanon: Ada versi dimana dia bernyanyi dengan normal, sebuah versi di mana dia bernyanyi dengan suara falsetto, satu oktaf lebih tinggi, dan sebuah versi meniru. (semuanya tertawa terbahak-bahak.)

Teruki: Alat manipulasi berkata, “Sebuah versi dari Porno Graffiti paling cocok.” (tertawa). Namun ia juga berkata, “Kita sama sekali tidak dapat menggunakan versi dari Keisuke Kuwata.” (semuanya tertawa terbahak-bahak.)


Untuk sisa wawancara, silakan lihat Zy 48.
© 2009 Zy.connection Inc. All Rights Reserved.
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